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You can’t teach people to be creative, but you can inspire them to find their creativity. That is what happens at Adobe MAX.
This year’s Electronic Entertainment Expo (E3) was bigger and more virtual than ever. In recent years, the event was confined to the Los Angeles Convention Center and the sidewalks outside. This year it expanded to the street between Staples Center (home of the LA Lakers) and beyond into the popular eating and entertainment district, LA Live. The expansion made elements of the show available to not only attendees, but also casual passersby. And this year, there were dancing Doritos chips.
This year E3, The Electronic Entertainment Expo, overflowed the Los Angeles Convention Center, spilled onto Chick Hearn Drive and into Los Angeles’ favorite downtown meeting place, LA Live. I had accepted an invitation from Thrustmaster to see their new driving game controllers. Somehow, I found booth 2705.
“Cord cutting” means getting your news, sports and entertainment direct from the Internet, rather than through a cable company. PlayOn software makes this task less daunting by pre-populating its interface with almost all the popular online programming sources. On top of this, it gives you a software based digital video recorder (DVR), they call a Streaming Video Recorder (SVR).
Ang Lee’s last film was created in High Dynamic Range, 4K, at 120 frames per second and in 3-D. In English that means that, compared to your big-screen HD TV, the film has more colors, four times the definition, four times the frame rate, and depth. This is the most technologically advanced feature film ever made.
Eighty-nine years ago, Al Jolson said to the audience watching his film ‘The Jazz Singer,’ the first film with synchronized dialog, “You ain’t heard nothin’ yet.” After viewing the demo of High Dynamic Range (HDR) video and Dolby ATMOS sound at the Future of Cinema Conference in Las Vegas, I can confidently say, “You ain’t seen nothin’ yet.”
The question that dominated many of the VR/AR seminars at SXSW was “How do you tell a story using this new technology?” “New” because the hardware has become affordable for consumers, and game engines used to create VR have become more powerful. The market is attracting a range of companies, from startups to ancient tech giants like IBM and Microsoft.
Can news reporters use virtual reality? This is the question that participants at “Sucked Into the Story: Virtual Reality and News” tried to answer at SXSW. I had the feeling that somewhere around 1950, a similar group of people sat around discussing what the impact of “this television thing” would be on radio news. We may be at a similar juncture.
The Mars 2030 Experience is not just a video game, but a highly detailed and accurate simulation of the surface of Mars, based on data and photographs from the Mars Rover and a European satellite orbiting the red planet. It’s part of a larger effort to determine the feasibility of establishing human habitation on Mars
(Originally published on Blogcritics.org) Xara Designer Pro X11 is an all-in-one design tool that handles bit maps, vector illustration, photo editing, page layout, and website design/publishing. It combines the features found in Xara’s stand-alone products — Xara Web Designer 11 Premium, Xara Page & Layout Designer 11, and Xara Photo & Graphic Designer 11 –…
Three very different speakers, but each one inspirational, discussed creativity during the second keynote session at AdobeMAX entitled “Community Inspires Creativity.” Taking place in Los Angeles this year,AdobeMAX brought together users of Adobe programs, such as Photoshop, InDesign, Premiere Pro, and Acrobat, with the engineers, developers and other people at Adobe Software responsible for improving and supporting the software.
Attendees at AdobeMAX love Sneaks. AdobeMAX brings together users of Adobe software, such as Photoshop, InDesign, Premiere Pro, and Acrobat, with the engineers, developers, and managers responsible for improving and supporting the software. Sneaks, which was co-hosted this year by Parks and Recreation star Nick Offerman, demonstrates currently in-development technology, which may or may not work its way into products.
My favorite Photoshop instructor of all time, Bert Monroy, took people on a search for impossible worlds at AdobeMAX, at the Los Angeles Convention Center, October 5-7. It is fascinating and amusing to watch Monroy work. Not only does he have a great dry sense of humor, but the reactions he evokes from his audiences are entertaining. Even people who have used Photoshop for years can be seen literally gasping and muttering “OMG” at the tricks Monroy shows them.
A model, a DJ, and sugar skulls highlighted “Unleashing Your Creative Weirdo” at AdobeMAX, and that was just before the break. This workshop was one of a series of classes, speeches, and hands-on practice available at the LA Convention Center, October 5-7. AdobeMAX brings together users of Adobe software, such as Photoshop, InDesign, Premiere Pro, and Acrobat, with the engineers, developers and other people at Adobe Software who make the magic happen.
If creativity glowed like nuclear radiation, the Los Angeles Convention Center and the adjacent LA Live could have been seen from Mars last week, October 5-7, as artists, graphic designers, photographers, filmmakers and computer experts converged from around the world for Adobe Software’s annual conclave, AdobeMAX. The conference covered Adobe’s extensive line of software including Photoshop, InDesign, Premiere Pro, Acrobat, and many new apps.
At Interdrone, the International Drone Conference in Las Vegas, Sep 9-11, John Abbey exposed the crazy quilt of laws that make progress with drone technology difficult, if not impossible. Abbey is nationally recognized as a leader in technology and practices for law enforcement. With over twenty years of experience, including time as a Chief of Police, he lead teams responsible for establishing the 911 number in California, bringing computers to police cars, creating field crime analysis, and digital mugshots.